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Parco Ducale 1,
43100 Parma (IT)
AGENDA
TEATRO, LE PRODUZIONI 2021/2022
Sono otto le nuove creazioni in catalogo, tra produzioni e coproduzioni, firmate da Maurizio Berc...
Appuntamenti in agenda (13)
RASSEGNE E FESTIVAL
Thursday 01 January
STAGIONE GENNAIO - APRILE 2022
Tutti gli appuntamenti della seconda parte della stagione 2021/2022.
Tutte le rassegne e festival (1)
FORMAZIONE
UN UNICO DANZARE
Un percorso per imparare a stare vicini. Progetto tra teatro, danza e arte per bambini dai 3 an...
THE CHILDREN REPUBLIC
NEW VISIONS FOR YOUNG AUDIENCE
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THE CHILDREN REPUBLIC

age 7 - 10

project Teatro Sotterraneo
direction Sara Bonaventura, Iacopo Braca, Claudio Cirri, Daniele Villa
with Daniele Bonaiuti, Chiara Renzi

in collaboration with Teatro Metastasio della Toscana

In 2010 Teatro delle Briciole started a “production workshop” called “New visions for young audience”. 
Convinced that being confronted with different theatrical experiences within the universe of what is traditionally called Children Theatre, Teatro delle Briciole, with this workshop, wants to give the opportunity to the new generations involved in Italian research to create shows for children.
The first show as a result of the project was “Baby don’t cry” by Babilonia Teatri.
In 2011, the workshop is coming up with a second show “ The Children Republic” by Teatro Sotterraneo.

Teatro Sotterraneo in its continuous search for a language that foresees as well a direct and decisional involvement from the spectator as a playful theatrical interaction, is looking into what creating a  state means.
There are in the world some “miniature States”. Abandoned oil-platforms, small territories where there is no jurisdiction, no political and no military control, where some men or women are taking control, are creating their own laws, issuing their own money,  establishing their own institutions. In such case, the exercise of becoming a citizen can start from scratch: one can ask basic questions on what it takes to create a society, and one can give unusual answers.
The stage is the empty platform where to build a micro-state. Two actors, “common people”, arrive on stage and start to imagine their own “miniature State”. They need laws. They need places. They need things. There is nothing there and everything has to be built and can be built the way one desires. Some kind of inquiry area is  therefore created within this micro-state : an empty stage which gets filled up very slowly with maybe some of the props that belong to the theatre (lights, music, etc.), or some signals which give rules (posters, road signs, advertising flags etc.) so that the children can see how a Polis can be built out of what is empty. The unknown factor is of course what type of Polis is going to be created, and the main thing at the end, is to find out if either we like such a Polis or if we don’t and in the latter if we would have been better off to keep the desert as it was.
In this case a direct involvement of the children seems to be a necessary change of direction. The children usually don’t benefit of  any direct power. Children don’t have any responsibility. Children live in a regulated world made out of rules, musts, and bans. It’s in the order of things that the eldest guides the youngest. And a child couldn’t actually take any decisions on things he has no experience with.
We therefore try to build an unusual and miniature state and we give the children some unusual and miniature power.
In the background there is some desolated and deserted space where some kind of society can be brought up to life; Robinson Crusoe, but also the serial Lost and of course Lord of the Flies by Golding.
It’s all about a small Public Thing, it’s all about a show where fiction is obvious, it’s all about a miniature state that will disappear as soon as the lights go off, and at the same time it’s about something that could be rather possible.

Teatro Sotterraneo was founded in 2004 and has been involved in theatrical research since with projects such as 11/10 in apnea  which belonged to the Premio Scenario 2005 Generation, such as signorePost-it (2007), La Cosa 1 (2008) and “Dittico sulla specie” from Dies irae _ 5 episodes around the end of the specie (2009) e L’origine delle specie _ by Charles Darwin (2010). In 2009 Teatro Sotterraneo gets the awards Premio Lo Straniero and Premio Speciale Ubu as one of the “leaders of the new generation”. In 2010 they get the award Premio Hystrio-Castel dei Mondi.



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